Nationally known artist created bust of pioneering Kansas physician

A bronze bust of pioneering Wichita physician Andrew H. Fabrique watches over the lobby of the MSSC offices at 1102 S. Hillside, starting conversations and sometimes startling employees with its lifelike scale and imposing features.

The 96-year-old artwork is more than a treasured piece of Wichita medical history. It also reflects the early genius of Bruce Moore, a local artist who would make a mark far beyond Kansas with his sculptures and drawings of human and animal figures.

Fabrique was born in Harrison County, Indiana, in 1842. He moved to Wichita in 1869 and started a medical practice. In those early days, he often traveled miles into the country on horseback to treat a patient or deliver a baby. Surgeries were often done on the kitchen table with crude instruments and kerosene lamps for light.

Over the years, Fabrique learned new medical techniques and developed close ties to the medical school at Northwestern University. Interns from Northwestern came to Wichita to work with Fabrique.

Howard C. Clark, MD, wrote of Fabrique in “A History of the Sedgwick County Medical Society” that “there is no doubt that he blazed the trail for modern medicine in Wichita – in fact, the State of Kansas – and did more than any man of his time to bring good medicine to his state.”

Moore, born in Bern, Kansas, moved with his family to Wichita at age 12 and was encouraged by local artists such as Ed Davison and C.A. Seward before winning a place in the Pennsylvania Academy of the Fine Arts at 17.

Moore is best known in Wichita for his ornamental exterior details at North High School and his lyrical “Girl and Fawn” outside Mark Arts. But he also designed the snarling bronze tigers on the Princeton campus and the “General Billy Mitchell” statue at the Smithsonian’s Air and Space Museum. His work includes the 30-foot Columbia figure at the National Memorial of the Pacific in Honolulu and bronze doors at Grace Cathedral in San Francisco. He also designed pieces for Steuben Glass, including cups and vases for Queen Elizabeth II and President Eisenhower.

Moore was just 21 in March 1927 when the Medical Society, meeting at the Lassen Hotel, named a committee to explore the idea to commemorate the life and work of Fabrique. In the MSSC minutes, “statue” is crossed out and “Bronze Bust” written in.

Just two weeks later, “the doctors had raised more money than was needed for the Bust,” according to the minutes. No price was noted.

That April, the Eagle reported that Moore had opened a studio at 1st and Broadway where he was working on a bust of Fabrique that “even in its early stages strikingly portrays the massive, rugged head of that veteran physician.” The doctor reportedly urged Moore to capture how a “drunken and wounded cowboy” once had taken a shot at him and “nipped off the top of an ear” – a noticeable detail.

The plaque on the pedestal says the bust was created by Moore for “Fab’s Boys” – the young interns drawn to Wichita to work with the self-made physician who had helped establish St. Francis hospital. He died May 10, 1928.

Over the years, Moore taught at the future WSU and in New York City and Maryland. He died in 1980. Four years later, WAM and the Art Association honored him with a retrospective exhibition of more than 240 of his sculptures, drawings and lithographs. Noting Moore’s ability to capture the living spirit of whatever he was portraying, a Smithsonian curator once told the Eagle: “He was a sculptor’s sculptor.”